A diamond brilliant’s beauty is the result of a complex combination of angles and proportions. In this article, Richard Liddicoat shows gemologists how to become familiar with how variations in cutting angles can affect a diamond’s face-up appearance.

This article, from the Fall 1989 issue of Gems & Gemology, is a compilation of abstracts of important gemology-related articles published outside of Gems & Gemology.

“Cartier and America”; “High Jewelry by Cartier: Contemporary Creations”; “Gems and Gemstones: Timeless Natural Beauty”; “Between Eternity and History: Bulgari. From 1884 to 2009”

“Living Jewels: Masterpieces from Nature”; “The Extraordinary World of Diamonds”; “The Workbench Guide to Jewelry”; “World Hallmarks, Volume I, 2nd ed.”; “Mineral Treasures of the World”

This article, from the Winter 2012 issue of Gems & Gemology, is a compilation of abstracts of important gemology-related articles published outside of Gems & Gemology.

A review of Cartier: The Exhibition at the National Gallery of Australia in Canberra.

Identification of the source of color in some diamonds, particularly fluorescent green and some yellow stones, can be very difficult.

This article, from the Fall 1987 issue of Gems & Gemology, is a compilation of abstracts of important gemology-related articles published outside of Gems & Gemology.

This article, from the Summer 1988 issue of Gems & Gemology, is a compilation of abstracts of important gemology-related articles published outside of Gems & Gemology.

From the Summer 1991 issue of Gems & Gemology, a summary of important gemology-related articles published in other journals.

This article, from the Spring 1992 issue of Gems & Gemology, is a compilation of abstracts of important gemology-related articles published outside of Gems & Gemology.

This article, from the Summer 1992 issue of Gems & Gemology, is a compilation of abstracts of important gemology-related articles published outside of Gems & Gemology.